When I saw this in the specials bin it ticked the boxes: murder and horse racing in a UK National Hunt setting. Thrillers, however, are not renowned for character development – not that that impacted on the sales of The Da Vinci Code, however I found because of it I enjoyed this book as little as I enjoyed The Da Vinci Code.
By the end of the book I knew as little of the character and thoughts of protagonist Jay Jessop as I did at the beginning. Nor did I know what he and his wife looked like – I guess that is a nice challenge for my imagination. In fact the only person in the book who seemed less one-dimensional than the others was jockey Amanda who rates a physical description in the novel. I suspect that because I’m female I’m more interested in learning more about the characters than male readers. I’m guessing guys will think this novel is great just the way it is.
The story starts off fast with two murders, includes a kidnapping, and a threat to Jay’s amazingly rapid rise up the horse training ladder. It stays fast. Like the Cheltenham Gold Cup it goes at a cracking pace. In parts that pace is too fast. Within paragraphs the action jumps from one location to another, which isn’t ideal. I’d prefer such a break in location to be marked with a new paragraph.
This book is the second in a series of four (to date) Jay Jessop Racing Mysteries by Graeme Roe. I do hope the first one, A Touch of Vengeance, gave more of a back story to the main characters than this one did; there’s a sentence here and there about their pasts, but Dick Francis gave his characters a lot more depth and creditable back stories. I suspect Roe is far more interested in the plot than the people in it.
So I’ve been rather damning about this book, but, you know what? I’m going to hunt out the first in the series. Not just to satisfy my mind about any character development and back story, but there is one standout about Odds On Death which gives it a real authenticity: horse racing. Graeme Roe is a former National Hunt jockey and horse trainer and it shows in the way he writes about life in a National Hunt yard and on the racecourse. He knows horses, he knows the industry, he’s ridden the courses his fictional jockeys and horses race on.
These days he runs a corporate communications company, and I suspect that has an impact on the way he writes. There’s the ‘Who, What, When, Where, How’ those of us in the industry learned was the basis of every media release, and that’s been used to good effect in this book. Plenty of information clearly and cleanly provided. The lack of character development and description lets this book down though; I read 371 pages about men and women who could, often, have been interchangeable and were, finally, just words on a page.